Page 14 of The Bourne Enigma (Jason Bourne 13)
Bourne found the houseboat painted a Nile blue. As he crossed its wooden gangplank, the muezzin started his call to prayer. The rising and falling voice from the filigreed wrought-iron balcony high up on the soaring minaret several blocks north floated over the wide river, as if it were a bird diving for its supper.
Bourne stood absolutely still before the wooden door. The sounds of the thick water lapping, the soft, fitful breeze on which was carried the supple voice of the muezzinâall these together brought Cairo rushing back to him as if he had never left.
This was Feydâs home. Bourne had met him before he broke away from Treadstone. Feyd was a Treadstone stringer, one of many the organization had maintained in its worldwide network. For as many years as Bourne could remember he had used Feyd, and Treadstone had, in turn, paid him well. His information was always impeccable and so accurate it inevitably breached the heart of the matter.
Bourne remembered Feyd as a sturdy man, short of leg and arm, with a wrestlerâs deep chest and shoulders. His face, quick to smile, seemed to have won a hard-fought victory over time, each line and crease a misfortune overcome, a face that was at once crumpled and triumphant.
Bourne raised his hand and knocked on the door.
It wasnât long before he heard soft footfalls approaching, then an instantâs silence before the door was wrenched open, and the muzzle of a pistol was aimed at his chest.
â
A girl with huge coffee-colored eyes, black hair, and an oval face dark as stained teak peered out at him from the dim interior of Feydâs houseboat. The handgun she held was steady as a rock. Her forefinger lay alongside the trigger guard but the safety was off. She knew what she was doing.
âDid Feyd teach you how to use that?â Bourne asked.
As she looked at him, her initial alarm faded. She cocked her head, her brows drew together, as did her lips into what might have been misinterpreted as a pout. Bourne, however, knew it was not.
Recognition illuminated her face as from a lightning flash at night. âUncle Samson!â She lowered the gun and flew into his arms, her body pressed against his. Samson had been his operational name when he had been in Cairo.
âAmira.â He inhaled the scents of cinnamon and incense wreathing her like a halo. Then he held her at armâs length. âYou were a tiny thing the last time I saw you.â
Her heavy eyelids fluttered. âNot so tiny, Uncle Samson.â She twitched her narrow shoulders. âBut, yes, I suppose Iâve grown taller.â
âGrown in every way.â
âI was eleven the last time you saw me. Iâm sixteen nowâseventeen in five months.â
âDonât push it. Time goes too fast.â He smiled. âMay I come in?â
âOf course.â She stepped aside, pulled him over the threshold. âWhat an idiot I am!â
âIâve come to see your father. Where is Feyd? Is he home?â
Her expression seemed uncertain, then darkened as she turned from leading him into the living room. âMy father was killed two weeks ago.â
âAmira, Iâm so sorry.â He stepped toward her, embraced her for a moment before stepping back. âAnd youâve been alone since then?â
She nodded, for the moment mute.
âAmira I need to ask. Was it an accident orâ?â
âMurdered,â Amira said.
âWill you tell me about it?â
She nodded, ringlets bouncing shadows across her cheeks. âBut first we must drink and eat, or what a poor host am I?â She made a sound deep in her throat, which could be interpreted either as joy or sorrow, or both. âWhat, then, would my mother have thought of me, had she been here?â
She slipped silently into the open kitchen, began preparing food. Behind him, Bourne heard the fairy tinkling of myriad wind chimes made of seashells, an ethereal accompaniment to the muezzinâs controlled wail.
All around Bourne were photos of Amiraâs mother and father, haphazardly placed on shelves, bookcases, side tables, as if often moved according to Amiraâs mood or where she was in the room so that some were always in her view. The photos were of the parents alone; there were none of them together.
The photos, the cheap mementos crowded in around them, spoke of a life well lived, of marriage, of family, of time passing and remembered in all its marvelous complexity.
Bourne had none of this. Try as he might, he could not remember his parents, where he had been born and raised, whether or not he had siblings. All of this reminded him that he had no idea who he was or where he had come from. It brought home to him again that he had nothing of his own. He was an unmoored creature on a sea without any sight of land, drifting with the current or fighting against it, in the end it didnât matter. And yet in his dreams he kept being drawn back to the moment off the coast of Marseilles. He could hear the shot, a crack of thunder splitting the low sky open, but he couldnât feel the bullet strike his body. Then the freezing water of the Mediterranean, inky-black, oily. Blackness, blankness. Pulled from the sea by fishermen, part of the early morningâs catch. Their doctor had saved his life, but his memory had died, leaving a great void yearning to be filled.
This great void inside him was why Sara had become so important to him. Her life, her father, she herself loomed large in his present as well as in his recent past, which meant his entire life. It was why the death of Boris had hit him so hard. When you take a penny from a pauper, what has he left?
âA penny for your thoughts,â Amira said as she carried two plates of stew to the table on the balcony. âLetâs eat outside where weâll catch a river breeze.â She inclined her head toward a shallow bowl. âWould you bring the pita?â
She lit a string of fairy lights. The wind chimes turned and sang in counterpoint to the muezzinâs voice.
When they were seated, she said, âYou taught me that: âA penny for your thoughts.ââ She laughed. âAt the time, I didnât even know what a penny was.â Her expression grew solemn. âBut, Uncle Samson, you looked so lost in thought.â
Bourne began to eat, breaking off a section of pita, shoveling up some stew onto it using only his right hand. âI lost a good friend yesterday,â he said, once again pushing down his anguish. âAnd now I find that Feyd is dead.â
Amira rose, went back inside, crossed to the refrigerator, and returned with two frosty bottles of beer. For a time, they drank and ate in companionable silence broken only by the soft lap of the water, the cry of a bird. Some raucous music played, then abruptly stopped. The muezzinâs call to prayer had ended.
âBut it seemed to me more, as if you were lost in the past,â Amira said, engaging him with her coffee-colored eyes.
âI have no past,â Bourne said, âto speak of.â
âThat canât be true. I know you forââ
âI mean before that. I have no memory of where I was born, who my parents were, if I have sisters or brothers. But you have a brother, I recall.â
She nodded. âEl-Amir, yes. He is in the West. You never met him. Heâs so smart, so clever. He finished his A-levels, then went on to the London School of Visual Arts, where he met and married an heiress, and was installed at a high-level position at CloudNet satellite TV, one of his father-in-lawâs media companies.â
âSo you must have seen him recently.â
With a sad smile Amira shook her head. âMy father used to say that we Egyptians must look to the future, always. âThe future is our salvation, my children,â he would say, always with a kindly smile. âHonor the past, yes. But for us to dwell on the past brings only sadness and more loss than we can bear.ââ
âSo he left you here on your own.â
âEl-Amir is a big shot now.â Tears sparkled at the corners of her eyes, but did not spill over. âApart from the occasional postcard and the money he sends us I donât hear from my brother.â
âAmiraââ
âItâs no big deal. I still love him. El-Amir is all thatâs left of my family. And he looks after me in his own way. Heâs very generous.â
She continued to look at him, studying his face as if she were an artist about to sketch out an idea on a fresh canvas. âI donât begrudge him leaving.â Her mouth half open, she seemed on the verge of continuing, then apparently thought better of it.
He pushed his plate aside. âTell me what happened to your father.â
Amira sighed, looked out over the Nile, where the moonâs reflection rippled and coalesced in an age-old rhythm. âAfter Treadstone was shut down he fell on hard times. Everyone associated with the organization was discredited. He tried to talk to representatives of the U.S. government, but got nowhere. He was, as he said, radioactive.
âFor a while, he did odd jobs, whatever he could get, nothing much really, but enough for us to make ends meet. Then about a year ago he began to work as a guide for one of the big tourist hotels. He expected great things, but, you know, after the Arab Spring almost no tourists come to Egypt anymore. He was left with boring businessmen, always with one foot out the door, waiting to be contacted.â She shrugged. âOne day his past caught up with him. I suppose he knew it would happen sooner rather than later.â Her expression grew pensive. âI think now he was marking time, waiting for it to happen. Maybe thatâs why he took the jobâso he would be more visible, easier to contact.â
âWho contacted him? CIA? Typhon?â
âNeither.â
A boat drifted into view, lying low in the water. The sound of its diesel engine came to them like the sputter of an old man clearing his throat.
She turned to look at him. âIt was the Russians.â
A tiny chill slithered down Bourneâs spine. The boat, clearer now across the water, looked like a tourist barge. Dual sphinxes rose from the curving prow. It was almost empty.
âWho?â he said. âWho was it who contacted him?â
âHe said he was a general in the FSB.â Amira had been fiddling with the last piece of pita. Now she set it down on her plate. âHis name was Karpov. Boris Karpov.â
23
The moon silvered the edges of the Pyramids of Giza, which otherwise glowed a pale melon in the powerful uplights buried in the sand. Ivan Borz, sitting with his legs up, ankles crossed on the top of the wrought-iron balcony railing of his residence in Giza, peered across the desert at the immense Pharaonic necropolis that had cost so many their lives. âAnd for what?â he wondered aloud. âThe ancient Egyptians had it all wrong.â
He looked from the Pyramids to the five-sided box sitting on the chair next to him. The top was off, the face of the head turned toward him. The American head. So beautifully preserved.
He drew his computer onto his lap, opened it, and displayed one TV show after another to the head. âYou see this shit?â He pointed to the screen on which grotesquely built men and women were vying for control of somethingâdifferent things on the different shows that flickered across the screenâbut always control. âThese must be familiar to you, yes? European and American reality shows. This is the soul-rotting drivel we must protect our people from. There are no Muslim values hereâno values whatsoever, except greed, avarice, and betrayal.â
With an angry gesture, he closed the laptop, put it away. He stared down at the head for a moment. Then he smiled. âYou know,â he said, âyou are my only friend in this godforsaken wilderness, the only one I can talk to. The only one I trust.â He sighed deeply. âBeing Muslim, being a student of history, I know how to talk to the downtrodden, the disenfranchised, the poor shits who have nothing, no prospects ever to be anything. But you already know this, donât you? You know everything thatâs in my head, every thought, every memory. No crevice too deep.â He laughed. âBut I digress. Where was I? Ah, yes! I give them martyrdom. After Iâm through with them, thatâs all they long for.â His smile, though widening, had turned rueful. âBut, letâs face it, who wants to be stuck here in Cairo or in Syria or Iraq recruiting? Not you. Not I. But for the amount of money Iâm being paid, for the assurance of being left alone by the FSB to do whatever the fuck I want, itâs worth it.â He tousled the black hair. âDonât you think?â He laughed. âOf course you do.â
He pulled out a Cuban cigar from a secret inner pocket, bit off the end, lit it slowly with a solid silver lighter, took his first few puffs. âHave patience, my friend. The one who murdered you will pay, this I have sworn. You will be revenged.â
Footfalls came to him, soft and delicate as a woman leaving her bath. âKeep your own counsel now,â Borz whispered to the head. âWe do not want this one to know our business. I recruited him in a dazzling display of Muslim activism, the twisting of the Qurâan that suits our aims. He is a believer, my friend. I am not. But soft now. He comes.â
But it was no woman who came up behind him now, breathing softly as a lover.
âEl-Amir,â he said without turning around. âPunctual as usual.â
âI smelled the smoke from a distance,â the young man said, stepping around to face his boss.
âIn this godforsaken shithole one must take oneâs pleasures, tiny though they may be.â
El-Amir was clothed in an outfit straight from the best tailors in London. He had the dirty-blond hair and light eyes that set the British upper classes and the polo masters off from everyone else. On close inspection, however, it was possible to discern that his hair was dyed, that he wore blue contact lenses. His upper-class British accent might have been fake, as well, but none save a linguist could tell. He carried a slim, crocodile-skin laptop case that, like the powerful computer inside, had been handmade expressly for him.
Ivan Borz produced another cigar, held it up. âHere.â He flicked open the lighter as El-Amir took the cigar from him, rolled it between his fingers, inhaled its rich aroma. âIâll light it for you with the present you gave me.â
When the second Cuban was lit, El-Amir took a seat on the other side of the boxed head. He was tall and lanky. His face seemed to belong to a long-dead age. Three hundred years ago, he might have been mistaken for a crafty Jesuit, save for his lens-clad eyes, which were like stones weirdly glimmering underwater.
âHow long are you going to keep that thing?â
âFor as long as I can converse with it.â
El-Amir shook his head. âYouâre bonkers.â
Borz leapt up, was at El Amirâs throat all within the space of a single heartbeat. âShut your fucking mouth.â Eye to eye, breath mingled, the two men stared at each other, each thinking their own thoughts. All at once, Borz stood back, stared down at El-Amir. âSpeak not about things of which you are ignorant.â
El-Amir swallowed hard, held his hands up, palms outward in a gesture of calm and peace. âApologies. I didnâtââ
âI saw the video, by the way.â Borz retook his seat. His demeanor serene, as if nothing untoward had happened. âMagnificent production values.â
El-Amir nodded, not knowing whether or not to smile. âThatâs what you get when you hire professionals.â Leaning over, he slipped the laptop out of its case, fired it up. He inserted a flash drive into one of the USB slots, navigated to the files therein.
Up popped one video after anotherâbeautifully lit, exquisitely framed, even though they were obviously shot with a handheld camera. The cameraâs movement added to the urgency of the images of black-clad Islamics taking over one Syrian town after another. Jump-cut to a map of the area, showing how far the movement had spread, how close they now were to the Turkish border.
âHereâs our latest, and itâs killer.â He laughed. âLiterally.â He focused the screen on a video of terror chieftains sitting around a campfire in what might have been a desert, except for the fact that bombed-out buildings like the cracked, rotten teeth of a wino formed the dramatic backdrop.
There was no talk, no subtitles. Instead, the men passed around a series of weapons: submachine guns, mortars, bazookas, flamethrowers, antitank missiles. The metallic sounds of the war matériel seemed somehow heightened, to come at the viewer like shots. They were passed from left to right as one reads the Qurâan. As ea
ch weapon was handed to the last man on the left, he gave it to a female, fully clothed in black from head to foot. Only her eyes were visible, gleaming, lambent from the firelight. The camera zoomed in slowly, lovingly on her eyes.
El-Amir hit the Pause button. âLook at those eyes,â he said admiringly. âI spent five days finding this young woman. Those eyes are huge, dark, exotic, and, most of all, expressive. These are eyes the viewer falls in love with. The way this section is framed you canât help it. Now the viewer, in thinking âHow beautiful!â has become complicit in the video. Heâs drawn in despite himself. In such beauty the camera finds power.â
El-Amir hit the Play button and the image unfroze. The camera moved back to show the upper half of the young woman. She brought each weapon toward the camera like a religious relic, offering it up to the viewer. In extreme close-up one could see that the weapons were American made. The camera raked over their serial numbers in pitiless slow motion, so there could be no doubt that the Islamic terrorists were using American weapons that had been âliberatedâ from the Syrian military.
Now the fire-lit group broke up, the camera followed them closely as they approached a towering cache of weapons and ammunition, still in their original shipping crates. Jump-cut to the terrorists using the weapons to kill everyone who stood in their way as they moved through the last Syrian town before the border to Turkey.
The screen went black, but the sounds of weapons fire, the shouts and screams of the dead and dying, persisted, heightened not by increased volume but by the lack of visual. At last, one line in Arabic appeared, and, below it, the English translation: THANK YOU, AMERICA! WE WILL NOT FORGET YOU!