Page 35 of The Bourne Sanction (Jason Bourne 6)
The two men were on the move again, and Batt headed out after them. After a ten-minute drive, the two cars ahead of him pulled into the crowded parking lot of The Glass Slipper. As Batt passed by, Feir and Kendall got out of their respective cars and went inside. Batt drove around the block, parked on a side street. Reaching into the glove compartment, he took out a tiny Leica camera, the kind used by the Old Man in his youthful days of surveillance. It was the old spy standby, as dependable as it was easy to conceal. Batt loaded it with fast film, put it in the breast pocket of his shirt along with the digital camera, and got out of the car.
The night was filled with a gritty wind. Refuse spiraled up from the gutter, only to come to rest in a different place. Jamming his hands in his coat pockets, Batt hurried down the block and into The Glass Slipper. A slide guitarist was up on stage, wailing the blues, warming up for the feature act, a high-powered band with several hit CDs under its belt.
Heâd heard about the club by reputation only. He knew, for instance, that it was owned by Drew Davis, primarily because Davis was a larger-than-life character who continually inserted himself into the political and economic affairs of African Americans in the district. Thanks to his influence, homeless shelters had become safer places for their residents, halfway houses had been built; he made it a point to hire ex-cons. He was so cannily public about these hirings that the ex-cons had no choice but to make the most of their second chances.
What Batt didnât know about was the Slipperâs back room, so he was puzzled when, after a full circuit of the space, plus an expedition to the menâs room, he could find no trace of either Feir or the general.
Fearing that theyâd slipped out the back, he returned to the parking lot, only to find their cars where theyâd left them. Back in the Slipper, he took another trip through the crowd, figuring he must have missed them somehow. Still, there was no sign, but as he neared the rear of the space he spotted someone talking to a muscled black man the approximate size of a refrigerator. After a small bout of jawing, Mr. Muscle opened a door Batt hadnât noticed before, and the man slipped through. Guessing this was where Feir and Kendall must have gone, Batt edged his way toward Mr. Muscle and the door.
It was then that he saw Soraya walk through the front door.
Bourne almost stripped the carâs gears trying to outrun the police car on their tail.
âTake it easy,â Petra said, âor youâll tear my poor car apart.â
He wished heâd taken a longer look at the map of the city. A street blocked off with wooden sawhorses flashed by on their left. The paving had been torn up, leaving the heavily pitted and cracked underlayer, the worst parts of which were in the process of being excavated.
âHold on tight,â Bourne said as he reversed, then turned into the street and drove the car through the sawhorses, cracking one and scattering the others. The car hit the underlayer, jounced down the street at what seemed a reckless speed. It felt as if the vehicle were being machine-gunned by a pile driver. Bourneâs teeth rattled in his head, and Petra struggled to keep from crying out.
Behind them, the police car was having even more difficulty keeping to a straight path. It jerked back and forth to avoid the deepest of the holes gouged in the roadbed. Putting on another burst of speed, Bourne was able to lengthen the distance between them. But then he glanced ahead. A cement truck was parked crosswise at the other end of the street. If they kept going there was no way to avoid crashing into it.
Bourne kept the speed on as the cement truck loomed larger and larger. The police car was coming up fast behind them.
âWhat are you doing?â Petra screamed. âAre you out of your fucking mind?â
At that moment, Bourne threw the car into neutral, stepped on the brake. He immediately changed into reverse, took his foot off the brake, and pressed the gas pedal to the floor. The car shuddered, its engine screaming. Then the transmission locked into place, and the car flew backward. The police car came on, its driver frozen in shock. Bourne swerved around it as the vehicle raced forward into the side of the cement truck.
Bourne wasnât even looking. He was busy steering the car back down the street in reverse. Blasting past the shattered sawhorses, he turned, braked, put the car into first, and drove off.
What the hell are you doing here?â Noah said. âYou should be on your way to Damascus.â
âIâm due to take off in four hours.â Moira put her hands in her pockets so he wouldnât see that they were curled into fists. âYou havenât answered my question.â
Noah sighed. âIt doesnât make any difference.â
Her laugh had a bitter taste to it. âWhy am I not surprised?â
âBecause,â Noah said, âyouâve been with Black River long enough to know how we operate.â
They were walking down Kaufingerstrasse in the center of Munich, a heavily trafficked area just off the Marienplatz. Turning in at the sign for the Augustiner Bierkeller, they entered a long, dim cathedral-like space that smelled powerfully of beer and boiled wurst. The hubbub of noise was just right for masking a private conversation. Crossing the red flagstone floor, they chose a table in one of the rooms, sat on wooden benches. The person closest to them was an old man sucking on a pipe while he leisurely read the paper.
Moira and Noah both ordered a Hefeweizen, a wheat beer still clouded with unfiltered yeast, from a waitress dressed in the regional Dirndlkleid, a long, wide skirt and low-cut blouse. She had an apron around her waist, along with a decorative purse.
âNoah,â Moira said when the beers had been served, âI donât hold any illusions about why we do what we do, but how do you expect me to ignore this intel I got right from the source?â
Noah took a long draw of his Hefeweizen, fastidiously wiped his lips before answering. Then he began to tick off points on his fingers. âFirst, this man Hauser told you that the flaw in the software is virtually undetectable. Second, what he told you isnât verifiable. He might simply be a disgruntled employee trying to get revenge on Kaller Steelworks. Have you considered that possibility?â
âWe could run our own tests on the software.â
âNo time. Thereâs less than two days before the LNG tanker is scheduled to dock at the terminal.â He continued ticking off points. âThird, we couldnât do anything without alerting NextGen, who would then turn around and confront Kaller Steelworks, which would put us in the middle of a nasty situation. And, fourth and finally, what part of the sentence Weâve officially notified NextGen that weâve withdrawn from the project do you not understand?â
Moira sat back for a moment and took a deep breath. âThis is solid intel, Noah. It could lead to the situation we were most worried about: a terrorist attack. How can youââ
âYouâve already taken several steps over the line, Moira,â Noah said sharply. âGet your tail on that plane and your head into your new assignment, or youâre through at Black River.â
Itâs better for the moment that we donât meet,â Icoupov said.
Arkadin was seething, barely holding down his rage, and only then because Devra, canny witch that she was, dug her fingernails into the palm of his hand. She understood him; no questions, no probing, no trying to pick over his past like a vulture.
âWhat about the plans?â He and Devra were sitting in a miserable, smoke-filled bar, in a run-down part of the city.
âIâll pick them up from you now.â Icoupovâs voice sounded thin and far away over the cell phone, even though there could be only a mile or two separating them. âIâm following Bourne. Iâm going after him myself.â
Arkadin didnât want to hear it. âI thought that was my job.â
âYour job is essentially over. You have the plans and youâve terminated Pyotrâs network.â
âAll except Egon Kirsch.â
âKirsch has already been disposed of,â Icoupov said.
âIâm the one who terminates the targets. Iâll give you the plans and then take care of Bourne.â
?
??I told you, Leonid Danilovich, I donât want Bourne terminated.â
Arkadin made an anguished animal sound under his breath. But Bourne has to be terminated, he thought. Devra dug her claws deeper into his flesh, so that he could smell the sweet, coppery scent of his own blood. And I have to do it. He murdered Mischa.
âAre you listening to me?â Icoupov said sharply.
Arkadin stirred within his web of rage. âYes, sir, always. However, I must insist that you tell me where youâll be when you accost Bourne. This is security, for your own safety. I wonât stand helplessly by while something unforseen happens to you.â
âAgreed,â Icoupov said after a momentâs hesitation. âAt the moment, heâs on the move, so I have time to get the plans from you.â He gave Arkadin an address. âIâll be there in fifteen minutes.â
âItâll take me a bit longer,â Arkadin said.
âWithin the half hour then. The moment I know where Iâll be intercepting Bourne, youâll know. Does that satisfy you, Leonid Danilovich?â
âCompletely.â
Arkadin folded away his phone, disentangled himself from Devra, and went up to the bar. âA double Oban on rocks.â
The bartender, a huge man with tattooed arms, squinted at him. âWhatâs an Oban?â
âItâs a single-malt scotch, you moron.â
The bartender, polishing an old-fashioned glass, grunted. âWhat does this look like, the princeâs palace? We donât have single-malt anything.â
Arkadin reached over, snatched the glass out of the bartenderâs hands, and smashed it bottom-first into his nose. Then, as blood started to gush, he hauled the dazed man over the bar top and proceeded to beat him to a pulp.
I canât go back to Munich,â Petra said. âNot for a while, anyway. Thatâs what he told me.â
âWhy would you jeopardize your job to kill someone?â Bourne said.
âPlease!â She glanced at him. âA hamster couldnât live on what they paid me in that shithole.â
She was behind the wheel, driving on the autobahn. They had already passed the outskirts of the city. Bourne didnât mind; he needed to stay out of Munich himself until the furor over Egon Kirschâs death died down. The authorities would find someone elseâs ID on Kirsch, and though Bourne had no doubt theyâd eventually find out his real identity, he hoped by that time to have retrieved the plans from Arkadin and be flying back to Washington. In the meantime the police would be searching for him as a witness to the murders of both Kirsch and Jens.
âSooner or later,â Bourne said, âyouâre going to have to tell me who hired you.â
Petra said nothing, but her hands trembled on the wheel, an aftermath of their harrowing chase.
âWhere are we going?â Bourne said. He wanted to keep her engaged in conversation. He felt that she needed to connect with him on some personal level in order to open up. He had to get her to tell him who had ordered her to kill Egon Kirsch. That might answer the question of whether he was connected to the man whoâd gunned down Jens.
âHome,â she said. âA place I never wanted to go back to.â
âWhy is that?â
âI was born in Munich because my mother traveled there to give birth to me, but Iâm from Dachau.â She meant the town, of course, after which the adjacent Nazi concentration camp had been named. âNo parent wants Dachau to appear on their childâs birth certificate, so when their time comes the women check into a Munich hospital.â Hardly surprising: Almost two hundred thousand people were exterminated during the campâs life, the longest of the war, since it was the first built, becoming the prototype for all the other KZ camps.
The town itself, situated along the Amper River, lay some twelve miles northwest of Munich. It was unexpectedly bucolic, with its narrow cobbled streets, old-fashioned street lamps, and quiet tree-lined lanes.
When Bourne observed that most of the people they passed looked contented enough, Petra laughed unpleasantly. âThey go around in a permanent fog, hating that their little town has such a murderous burden to carry.â
She drove through the center of Dachau, then turned north until they reached what once had been the village of Etzenhausen. There, on a desolate hill known at the Leitenberg, was a graveyard, lonely and utterly deserted. They got out of the car, walked past the stone stela with the sculpted Star of David. The stone was scarred, furry with blue lichen; the overhanging firs and hemlocks blocked out the sky even on such a bright midwinter afternoon.
As they walked slowly among the gravestones, she said, âThis is the KZ-Friedhof, the concentration camp cemetery. Through most of Dachauâs life, the corpses of the Jews were piled up and burned in ovens, but toward the end when the camp ran out of coal, the Nazis had to do something with the corpses, so they brought them up here.â She spread her arms wide. âThis is all the memorial the Jewish victims got.â
Bourne had been in many cemeteries before, and had found them peculiarly peaceful. Not KZ-Friedhof, where a sensation of constant movement, ceaseless murmuring made his skin crawl. The place was alive, howling in its restless silence. He paused, squatted down, and ran his fingertips over the words engraved on a headstone. They were so eroded it was impossible to read them.
âDid you ever think that the man you shot today might have been a Jew?â he said.
She turned on him sharply. âI told you I needed the money. I did it out of necessity.â
Bourne looked around them. âThatâs what the Nazis said when they buried their last victims here.â
A flash of anger momentarily burned away the sadness in her eyes. âI hate you.â
âNot nearly as much as you hate yourself.â He rose, handed her back her gun. âHere, why donât you shoot yourself and end it all?â
She took the gun, aimed it at him. âWhy donât I just shoot you?â
âKilling me will only make matters worse for you. Besidesâ¦â Bourne opened up one palm to show her the bullets heâd taken out of her weapon.
With a disgusted sound, Petra holstered her gun. Her face and hands looked greenish in what light filtered through the evergreens.
âYou can make amends for what you did today,â Bourne said. âTell me who hired you.â
Petra eyed him skeptically. âI wonât give you the money, if thatâs what youâre angling for.â
âI have no interest in your money,â Bourne said. âBut I think the man you shot was going to tell me something I needed to know. I suspect thatâs why you were hired to kill him.â
Some of the skepticism leached out of her face. âReally?â
Bourne nodded.
âI didnât want to kill him,â she said. âYou understand that.â
âYou walked up to him, put the gun to his head, and pulled the trigger.â
Petra looked away, at nothing in particular. âI donât want to think about it.â
âThen youâre no better than anyone else in Dachau.â
Tears spilled over, she covered her face with her hands, and her shoulders shook. The sounds she made were like those Bourne had heard on Leitenberg.
At length, Petraâs crying jag was spent. Wiping her reddened eyes with the backs of her hands, she said, âI wanted to be a poet, you know? I always equated being a poet with being a revolutionary. I, a German, wanted to change the world or, at least, do something to change the way the world saw us, to do something to scoop that core of guilt out of us.â
âYou should have become an exorcist.â
It was a joke, but such was her mood that she found nothing funny in it. âThat would be perfect, wouldnât it?â She looked at him with eyes still filled with tears. âIs it so naive to want to change the world?â
âImpractical might be a better word.â
She cocked her head. âYouâre a cynic, arenât you?â When he didnât answer, she went on. âI donât think itâs naive to believe that wordsâthat what you writeâcan change things.â
âWhy arenât you writing then,â he said, âinstead of
shooting people for money? Thatâs no way to earn a living.â
She was silent for so long, he wondered whether sheâd heard him.
At last, she said, âFuck it, I was hired by a man named Spangler Waldâheâs just past being a boy, really, no more than twenty-one or -two. Iâd seen him around the pubs; we had coffee together once or twice. He said he was attending the university, majoring in entropic economics, whatever that is.â
âI donât think anyone can major in entropic economics,â Bourne said.
âFigures.â Petra was still sniffling. âI have to get my bullshit meter recalibrated.â She shrugged. âI never was good with people; Iâm better off communing with the dead.â
Bourne said, âYou canât take on the grief and rage of so many people without being buried alive.â
She looked off at the rows of crumbling headstones. âWhat else can I do? Theyâre forgotten now. Hereâs where the truth lies. If you omit the truth, isnât that worse than a lie?â
When he didnât answer, she gave a quick twitch of her shoulders and turned around. âNow that youâve been here, I want to show you what the tourists see.â
She led him back to her car, drove down the deserted hill to the official Dachau memorial.
There was a pall over what was left of the camp buildings, as if the noxious emissions of the coal-fired incinerators still rose and fell on the thermals, like carrion birds still searching for the dead. An ironwork sculpture, a harrowing interpretation of skeletal prisoners made to resemble the barbed wire that had imprisoned them, greeted them as they drove in. Inside what had once been the main administrative building was a mock-up of the cells, display cases of shoes and other inexpressibly sad items, all that was left of the inmates.