Page 20 of Luke (West Bend Saints 3)
youâll come back and pick me up.â
He gives me a long hard look. âOr maybe you and your brothers decide that West Bend isnât the place for you anymore,â he says. âAnd you decide to go ahead and get gone, leave this town in peace.â
âThe way you left my mother in peace?â I ask. I canât help myself. I want to know whether he killed her, and I want to hear it from his lips. I want to look him in the eye when he answers.
Jedâs eyes narrow as he looks at me. âYour mother,â he says, ânever knew her place. That was really her problem, you know. People get uppity, think they deserve better than theyâre born to. They think theyâre better than their lot in life. The apple doesnât fall far from the tree, though, does it?â
âYou did it. You killed her," I say. Anger rushes through me, floods me like a wave, and I lunge for Jed without thinking.
In a flash, Jed draws his weapon, and Iâm looking at the barrel of his gun. âYou really think thatâs a good idea, Saint?â he asks. âOut here, in the middle of nowhere? Someone unhinged like you would be easy to get rid of. Just as easy as your crazy mother."
âShoot me, Jed,â I say, taunting him. âIf youâre going to do it, just go ahead and do it instead of talking about it. Look me in the face and kill me like a man. Or do you only kill women?"
He stands, his hands steady, holding the gun at me, and I think he might actually shoot me right here, leave me for dead in front of my camper, but he just stares at me. âNah, Saint,â he says. âIâm not going to shoot you here. I donât need to. Youâve got more powerful enemies than me.â
âYou have no idea the world of shit youâre in, you stupid prick," I say, my teeth gritted.
He laughs as he backs away slowly with his gun aimed at my head. I contemplate rushing him, or pulling my weapon on him. But I don't â because of the image that flashes in my head. When I think about drawing on him, I see Autumn's face. And I know I can't do that to her. I'm going to make sure she's safe.
âYeah, Saint?â he asks, several feet away, nearly back up against his patrol vehicle. âSeems to me that Iâve gotten away with shit just fine.â
The thing that consoles me as he backs into his vehicle and then down my driveway is that itâs just a matter of fucking time. Tempest's crew is working the angles to take them down, in a way that doesn't come back on us, that doesn't involve me being sent to prison, away from Autumn and Olivia.
Before them, I wouldn't have given a shit about possibly going to prison. Before them, I'd been living full-throttle, on the edge, with no obligations and no demands placed on me. Because I thought that was really living.
Now, I'm beginning to realize I was just running.
And I donât want to run anymore.
CHAPTER THIRTY-THREE
Autumn
âI haven't been clear enough that I'm not selling my orchard, Mr. Benson?â I ask, looking down at the name on the business card I'm holding. Iâm standing on the front porch, and itâs been a hell of a fucking morning. I just fired a great foreman â the best one I've had, besides Luke â because Luke sent him to watch me. Harvest is over, so it's not like I need someone running the orchard right now anyway, and the fact that he was watching me for Luke is unsettling.
I've been on edge all morning. And now this guy shows up, uninvited, someone else from the mining company. Not even the douchebag board member or whoever who took me out to dinner last night. This guy is just a lackey of some kind.
Itâs enough to make me want to start greeting visitors with a shotgun instead of a smile.
Greta pokes her head out the screen door with Olivia balanced on her hip, and I shake my head no, waving her back inside, casually but quickly.
Heâs not a good man.
You donât know the whole story. I can explain.
Lukeâs words echo in my head as I look at the representative from the mining company, but I push them away. Luke is an immature asshole whoâs just trying to cover up the fact that he acted like a jerk and dumped you over a text message for another woman. You canât trust your instincts when it comes to men.
âIâm not sure we got off on the right foot, Ms. Mayburn,â he says, walking up to the steps. I know immediately that this is the kind of guy who likes to stand a little too close, talk a little too loudly, the classic kinds of intimidation techniques guys like him in suits and expensive cars like to use. Except it just makes me angry.
âWhatâs the right foot, exactly, Mr. Benson?â I ask, my tone sharp. âI told your boss last night that I have no intention of selling this place â and I certainly don't intend to stop speaking my mind about whatever it is the mining company is doing here in West Bend."
He steps closer to me, crossing the space Iâd put between us. âMaybe no oneâs given you the right incentive yet.â
I put my hand up, blocking him from coming any closer, and my palm hits his chest. âI donât think thereâs enough incentive in the world thatâs going to get me to give you what you want here,â I say, forcing a calm in my voice that I definitely donât feel right now. âIâd like you to get off my property now.â
He smiles, the expression cold. I donât guess that someone like him gets told no very often. âThereâs a shotgun just inside the front door of my house,â I lie, my voice firm. I have a shotgun, but it's in a locked cabinet in the cidery, not the main house. I've never had a reason to need it, here in West Bend. âThe nanny inside knows how to use it. So Iâd thank you kindly to get the fuck off my front porch and get into that expensive car of yours and get the hell out of here before my nanny has to put a bullet through your head."
He smirks, looking at me with a mixture of disgust and hatred, as he smooths his oxford shirt with the palm of his hand and then slowly backs up. âYou should be careful with your weapons, Ms. Mayburn,â he says, his tone flat. âThey can be real dangerous, you know, especially in a house with a child. Accidents happen every day.â
âIs that a warning?â I ask.
âJust a little friendly advice,â he says. âOne businessperson to another. Wouldnât want anything untoward to happen.â
When he leaves, I collapse into one of the rocking chairs on the front porch, my hands trembling. Iâm only there for a moment before the front door opens and Greta pokes her head out. âI got Olivia down for a nap,â she says. âAnd I came out for the last part of that conversation. Heard the bit about the shotgun.â
âIt was the only thing I could think of to say.â
Greta shrugs. âIâm a good shot, for the record,â she says.
Weâre standing there, silent, for a few minutes, when I hear the sound of a vehicle on the road, before I see it turning into the driveway.
Lukeâs truck.
Son of a bitch. I silently curse my damn luck.
âThatâs Luke's truck, isnât it?â Greta asks. âYou know, I forgot Iâ¦umâ¦left some water boiling on the stove. I was just making a cup of tea andâ¦yeah.â
I hear the screen door slam closed, but Iâm already down the front porch steps and walking out to Lukeâs truck, reaching him before heâs even out of the vehicle. âI hope youâre not about to get out of the truck,â I say. âBecause I can save you some time and tell you to just get right back in there, put it in reverse, and back the hell out of here. Iâve had it up to here with bullshit today, Luke. I donât need yours on top of the fucking mining company rep that was just here."
âSomeone from the mining company was here?â Luke asks. âWhen?â
I roll my eyes. âItâs not any of your business, Luke Saint,â I say. âAnd Iâll tell you the same thing I told him â get the hell off my orchard. I have things to do, and they donât involve you.â
I whirl around, heading for the cidery, anything to get away from Luke. Because if I stand there looking at him, if I stand there just a little too close to him -- close enough to smell him, close enough to trigger the memory of his lips on mine, his hands running over my naked skin -- Iâm goin
g to definitely do something I won't be able to take back.
So I walk, my pace quick, my feet flying along the ground, over the brown grass thatâs dying off already even though we havenât had a snowfall yet this year, and I only stop when I feel his hand on my wrist. He yanks me hard, turning me toward him, his hand sliding around me to the small of my back, holding me firm. âStop running, Autumn,â he says.
âYouâre going to talk to me about running?â I ask, pushing him back, my hands against his chest. I look at him, and I hate him. And I hate the way that heat floods me the instant I put my hands on him. âSays the guy who has made a whole life out of doing exactly that?â
âGoddamn it, Autumn.â He wraps his hands around my wrists, shoves me against the side of the cidery, my back pressed up against the wall. He pins my hands above my head, looking down at me, and I donât see anger in his eyes. I see lust and sadness and pain. âI fucked up, all right?â
âNo shit,â I practically spit. Iâm angry at him, except I canât stop looking at his mouth, the way his lips are so close to mine. My breath catches in my throat, and my heart pounds in my chest, and I feel the way I did the first time I saw him. Like my entire body aches for his touch.
âListen to me,â he says, his voice practically a growl. He keeps one hand above my head, pinning my wrists, as he slides the other along my cheek, his fingers under my chin, tilting my head up to look at him. âFuck, Autumn, do you think I havenât been thinking about you â wanting you, dreaming about the things I've been wanting to do to you â every damn day for the past three weeks? Itâs been tearing me up, ripping me in two, knowing that you hate me.â
His mouth is so close to mine I can barely think about anything else. What heâs saying is a blur, blotted out by lust that I canât seem to control. I swallow hard, force myself to answer, ignore the craving for him, the desperate need to press my lips against his. I choke out the words: âScrew you, Luke.â
âDamn it, Autumn,â he says, his voice low, guttural, his lips close to my ear. âThat is what you want to do, isnât it? Say thatâs what you fucking want. Say youâve missed me inside you, that you ache for me with every breath the way I do for you.â
Iâm practically writhing under his grip, and he can feel it. He can tell and he brings his mouth down on mine, kissing me with an intensity that takes my breath away. Thereâs nothing sweet or soft about this kiss, two lovers being reunited. This kiss is fucking primal, our tongues warring with each other, and his hand is on me, sliding underneath my shirt, covering my breast before I can object.
He covers my breast with his palm, my nipple rock hard against him, and Iâm washed away by lust, heat pooling between my legs, removing any sense of reason I thought I might have. When he flicks open the button on my jeans, rips them over my hips, and slides his hand between my legs, I practically melt. I moan, far too loud for being outside here, where anyone could walk around this building and catch us.
âYou are so fucking wet,â he says. âDo you know how much I've been wanting to touch you?â
This is not a good idea, the rational part of me chimes in. âFuck you, Luke.â
He pauses, his hand unmoving as he looks into my eyes. âI was trying to protect you, Autumn,â he says. âBoth of you.â
I clench my jaw tightly, looking up at him, the throbbing between my legs so hard itâs a painful distraction. âFrom who? You?â
âI was trying to keep you out of everything,â he says. âI was trying to keep you safe. I swear. Thatâs why I sent Mike to keep an eye on things.â
âThatâs bullshit,â I say, remembering him standing on the sidewalk with that girl. Suddenly, his phone rings, and whatever spell he had over me, the moment between us, is broken, and Iâm able to think rationally again. He sees it too, lets go of me, pulling his hands from me and stepping back. âYou should have been honest with me. You should get that phone call, you know.â
Luke exhales heavily, taking his phone out of his pocket and looking at me. âI donât care about it,â he says.
But it buzzes again, and this time he answers it. I straighten my clothing, smooth my hair, and itâs like whatever just happened between us never happened at all. His voice is terse, one word answers, and when he looks up at me, I know itâs about whatever heâs keeping from me and I shake my head.
âI have to go,â he says, crossing the space between us, his hands on my arms. Then, when he sees the look of disbelief on my face, âI promise. If it werenât important, if I didnât have to go, I wouldnât. Iâm sending Mike back over here.â
âNo,â I protest. âNo more. Iâm not having anyone else here. I donât need you spying on me, trying to control my life.â
âListen to me,â he says, his hands tight on my arms. âThat guy, the mining company guy, heâs bad news. All of those guys are."
âIâve dealt with a lot of assholes in my life, Luke,â I say, shaking him off. âI can handle myself. I know how to use a shotgun, and if I see any of them on my property again, Iâm perfectly capable of running him off.â
âGood,â Luke says. âBut Iâm sending Mike over, too.â
âUntil you tell me whatâs going on, in a calm, rational, adult manner, no one else sets foot on my property, Luke Saint, and that includes any of your friends.â
âDamn it, Autumn,â he says. But his phone buzzes again, and I take that as a sign.
âGoodbye, Luke,â I tell him.
And I walk away.
CHAPTER THIRTY-FOUR
Luke
"Your girl is asking a lot of questions," Elias says.
My girl. Since when did she become my girl to my brothers? The irony is that I've been thinking of her that way for weeks now, even after I dumped her, even after I tried to put space between us to keep her safe. "What do you mean, asking questions?"
"Emir keeps tabs on everything," Silas says. "Anything that has to do with the mining company."
"So he knows what the hell Autumn is doing?"
"That's not true. Silas just wants you to think that the grifters are super human or something," Elias says, laughing. "He really only knows this because he heard gossip from Connie down at the general store. She mentioned that Autumn was going down to talk to Fred Mason."
"The newspaper guy?" I ask. Fred has been running the West Bend Gazette for as long as I've been alive. The only reporter at the small-town paper, Fred covers all of the important events in West Bend â like who won the apple-pie-making contest at the county fair, and whose cows got loose from their ranch. Pulitzer-prize-winning stuff. The newspaper has always written fluff pieces, avoiding anything political or potentially controversial. I can't remotely imagine that it would cover something like this â small town corruption, murder, shadiness with big business. It has all the makings of a real story, and West Bend's newspaper doesn't do real stories.
Even so, Autumn going to Fred to talk about whatever she suspects is happening with the mining company is terrible news. Her town hall speech was bad enough. She has no idea what she's walking into, with the mining company or the sheriff and the mayor. If she pokes her nose around any moreâ¦well, Jed is obviously unhinged enough to take care of anyone who gets in his way. And this would certainly count as getting in his way.
"I'll take care of it," I say, firmly. I don't know how the hell I'm going to get Autumn to listen to reason â she's more stubborn than a damn mule â but I'm going to talk to her. I have to talk to her. "What else did you call me for that was such a big emergency?"
"Status update," Elias says. "Why, were you busy?"
I want to kill him. No, I wasn't busy, I think. I was just trying to talk to the girl I can't stop thinking about, trying to convince her that she shouldn't hate me when she has every right to hate me, since she doesn't know a thing about why I broke things off the way I did.
When every fiber of my being craves her touch.
"You 911 dialed me for a status update?" I ask, my jaw clenched.
"We called you because virtually everything is taken care of," Elias says. "Emir is monitoring emails at the mining company. They don't say anything outright in email â they use code words for people, but it's pretty transparent who's theyâre talking about. And it looks like they think Jed and the mayor were trying to scam them."
"The mining company will have them taken care of," Silas says. "I'm sure of that. Oscar says they have mafia connections or something."
"You could have told me this shit on the phone." I'm irritated that I left Autumn's place for this. I'm also annoyed with the idea of the mining company taking care of Jed, after all the shit he's done, what he's responsible for. I still think we should take care of him with our bare hands â on principle. He killed our flesh and blood, even if it turned out she wasnât the greatest person ever. Letting the mining company get rid of him for us just seems like a cop out.
Elias shakes his head. "Nothing over the phone," he says. "We need to be discreet, talking about this shit, at least until everything is finished."
"I have to get back to Autumn." I only mean to think it, but I realize I've said the words out loud.
Silas nods. "You should stay with her," he says. "At least until this is over."